A long time ago, a monk handed me a palette knife and told me to come and learn to paint icons. I accepted the call, and today work as a full-time iconographer.

The icons made in the Conestoga Icon Studio represent a vision of heaven from the village of Conestoga. While drawing deeply from the rich tradition of Orthodox iconography, their aim is to create a contemporary vision of prayer in the Americas. As such they greet us with candidness, joy, and peace.

All the materials used in making these icons come from the land—the pigment colours coming from around the village of Conestoga where the studio is located. Foraging from the soil, plants, and animals, these colours create a testament to the love of God which energizes the whole earth.

The work of the studio is broad. Icons are made for churches, missions, and homes. Workshops are offered from time to time across Canada. And, lectures about the studio’s practices are given internationally.

Icon of Saint Stephen the Protomartyr at King’s College Chapel, NS. Photo by Sam Landry.

Icons at Home

The icons for the Icons at Home series are set to begin in the Conestoga Iconographic Studio in the spring of 2019. Using traditional methods and materials, 16 icons that have a special place in a house are being made in order to celebrate the way that a family’s home is a microcosm of the church. Once finished, prints of all of them will be made and available for people’s homes.

Each of the sixteen original icons is being made with the traditional approach, materials, and vision that the Conestoga Iconographic Studio is known for. The vision of each saint, or event, is focused on connection for those who pray before them with the kingdom of God. They embody an innocence, candidness, and joy. These icons are stylized and flat in the vision they render of the Kingdom—lines are bold, colour’s frank, and clothing rendered in a simple geometry. While participating in the rich tradition of Eastern Orthodox iconography, their rendering is towards creating a vision of prayer for those living in the West.

To find out more, click here.

Newsletter Signup

Join 125 other subscribers and receive updates about the studio's ongoing work.

Latest Articles

Icon of Christ the Pantocrator

Gospel Text for Christ the Almighty

Posted on
The words written within an icon give voice to the saint through what they hold in their hands. Each saint holds a scroll depicting something they have written—coming from either the Old Testament, an Epistle, or one of the saint’s writings. But, in an icon of Christ the Almighty (in Greek, Παντοκράτωρ, or Pantocrator), we … Read more

Mary the Guide

Posted on
All icons of Mary the Theotokos (the “Birth-giver to God”) are a profound statement about humanity’s relationship with God. Mary, a teenage girl embodies the beauty of faith—saying yes to the angel’s promised miracle despite its unfathomable reality nine months earlier. Christ Emmanuel, the baby boy, is truly God with us. In this icon we … Read more

Making an Icon: Panel

Posted on
In this video, the work of making a traditional wooden panel here in the studio reveals details about the nature of wood and its part in creating a durable, long-lasting icon. Watch previous video from the series:Making an Icon: Wood

Making an Icon: Wood

Posted on
In this video, a closer look at the wood used to make an icon reveals details about the role a tree plays in creating an icon and the work done to find and prepare it. Watch next video from the series:Making an Icon: Panel


Symeon’s iconography is a hymn of praise

When Saint John of Damascus wrote his defence of the icons, On the Divine Images, itself a deep meditation on the meaning of the Incarnation he affirmed the sacrality of all God’s creation from the molecular composition of minerals, the glory of the cedars of Lebanon, celestial bodies, indeed, the whole of the cosmos. The Incarnation calls us to a deep regard for every human being and all creatures, the beauty of flora and fauna, indeed, the earth under our feet. The earth we walk is a reliquary and minerals and metals of each particular place a sacred treasure. Symeon’s iconography, drawing as it does on the local palette of each region of Canada, is a hymn of praise calling each of us to a deeper regard for our fragile world, a deeper attention to the Holy Spirit who “is everywhere present and fillest all things”.
David J. Goa
Founding Director. Chester Ronning Centre for the Study of Religion and Public Life,
University of Alberta