Standing in a beautiful Orthodox Church is an invitation to be present in the kingdom of God. Every angle of its architecture and all the colours of its icons invite us to glimpse the unveiled mystery of the created world. It is a sacred space made for us to join together with the saints and angels to worship through the common prayer of the people of God.
In the same way that a church’s architecture supports our participation in worship, our homes are also holy places that support and deepen our life of faith. Like a church, our homes serve to deepen and enlarge our gifts of compassion and experiences of grace in the world.
Our homes are where we live our faith in our daily lives. This is where we are Christ’s disciples in the love we show to each other and break bread together with the same spirit of the divine Eucharist. We deepen our understanding of God daily in our roles as father, mother and child—even experiencing Christ’s love for us through the relationship between husband and wife.
In the same way that icons in a church bring us into the presence of Christ and his saints in worship, having icons in the home expands our family to include its heavenly members. While an inspirational text or illustration can teach, the church fathers and mothers speak of icons bringing the very presence of the saint into our lives. As such, a holy icon is sacramental—bestowing to us the real presence of holiness in our work and rest.
All over the world there are different traditional places where icons have appeared in homes. There are also rooms in the modern North American home to which this tradition needs to expand. An icon of Christ the Pantocrator hanging over the main entrance is traditional, and is a powerful reminder that we are called to measure our response to what greets us daily in comparison of him who is the fullest expression of human nature.
Traditional Eastern Orthodox homes have a “beautiful corner” oriented to the East. It is a place of prayer and often has an icon of Christ the Word and of the Theotokos. A diptych of Joachim and Anna, the example of holy matrimony, often graces a couple’s bedroom’s wall, and at the entrance and exit to homes an icon of the Road to Emmaus often reminds the family of who it is they are likely to meet on their travels of the day.
But, to my knowledge, no tradition exists of a specific icon for the modern living room. Introducing an icon into a room that is central in many family’s lives is an opportunity to seek the Holy Spirit’s blessing in bringing Christ into all aspects of our lives.
In the icons for the Icons at Home series, the Conestoga Iconographic Studio is using its traditional methods and materials to create 16 icons that celebrate the family’s home is a microcosm of the church. Once finished, prints of each will be made and available for people’s homes.
The Icons at Home series represents an invitation to sanctify our daily lives in the places we live with the presence of icons. The support necessary to make this happen takes two forms: Supporting the daily work of the studio as a patron or directly commissioning one of the icons for this series.
Commissioning an Original Icon
Each of the sixteen original icons is being made with the traditional approach, materials, and vision that the Conestoga Iconographic Studio is known for. The vision of each saint, or event, is focused on connection for those who pray before them with the kingdom of God. They embody an innocence, candidness, and joy. These icons are stylized and flat in the vision they render of the Kingdom—lines are bold, colour’s frank, and clothing rendered in a simple geometry. While participating in the rich tradition of Eastern Orthodox iconography, their rendering is towards creating a vision of prayer for those living in the West.
The way each icon is created is important and the work of the studio is inspired by some of the most traditional ways artists have worked. The panels for the icons are made from a local basswood tree selected for that purpose which has been harvested, slabbed, dried, and carved. Its gold leaf is water-gilded. And, its pigment colours are each the result of a pilgrimage to find unique soils, rocks, plants, and even bones with which to create beautiful and lasting colours. All of this work is centred in the small village of Conestoga, Ontario. Working with the local landscape in this way embodies an Orthodox approach to the environment fulfilled in its art, business, and prayer.
The icons in this series are being commissioned by those interested in having the original icons in their homes. However each is being created the same size, 40 by 50cm (16 x 20″), in the hope of the entire series being exhibited at a church or seminary at some point in the future.
Find out more about Commissioning an Icon
Symeon would be happy to answer any questions about becoming part of this project. Please submit your inquiry via the form below. You can expect to receive a response in a day or two.